TRADHISI JAMASAN WAYANG KRUCIL KYAI BONTO  ING DHUSUN PAKEL, DESA KEBONSARI, KECAMATAN KADEMANGAN, KABUPATEN BLITAR (TINTINGAN FOLKLOR)

THE TRADITION OF THE JAMASAN WAYANG KRUCIL KYAI BONTO IN PAKEL DHUSUN, KEBONSARI VILLAGE, KADEMANGAN DISTRICT, BLITAR REGENCY (FOLKLORE STUDIES)

Akehing budaya Indonesia asring nuwuhake kesenjangan kawruh dening sebagean masarakat amarga anane pambeda geografis. Salah sawijine tradhisi kang kurang dikenal yaiku Tradhisi Jamasan Wayang Krucil Kyai Bonto (TJWKKB). Tradhisi iki kalebu ing perangan folklor setengah lisan kang arupa prosesi jamasan pusaka awujud wayang krucil sing dilaksanaake saben tanggal 12 Mulud. TJWKKB minangka wujud nuduhake rasa sokur lan nyuwun pangayoman marang Gusti Allah. Undheran panliten sajrone panliten iki yaiku, mula bukane, tata lakune, ubarampe lan maknane, pigunane, owah gingsire, lan cara nglestareake. Teori lan konsep kang dipilih lan slaras marang undheran panliten yaiku, konsep folklor Danandjaja, konsep piguna dening Bascom, konsep owah-owahan dening Koentjaraningrat, lan konsep cara nglestareake budaya dening A.W Widjaja. Panliten iki nggunaake metodhe panliten diskriptif kualitatif kanthi cara nglumpukake dhata kanthi telung metodhe yaiku observasi, wawancara, lan dhokumentasi.

              Asiling panliten yaiku ngandharake rong versi mula bukane TJWKKB lan asil rekontriksi versi kasebut, ngandharake tata laku TJWKKB awit saka titi siyaga, titi laksana, lan titi wasana, ngandharake ubarampe lan makna kang kinandhut ing saben perangane, ngandharake owah-gingsire TJWKKB awit saka tata laku, ubarampe, piranti, lan wujud petilasane. Sakliyane kuwi uga ngandharake piguna TJWKKB minangka sistem proyeksi, pengesahan pranata kabudayan, piranti pendhidhikan, pengendhali sosial, lan piguna liyane, dene cara nglestareake TJWKKB supaya tansah slaras lan lestari sairing lumakuning jamanawit upaya saka masarakat, pamarentah, lan lumantar sosial medhia. Saka panliten kasebut bisa didudut yen tradhisi kasebut minangka wujud kabudayan leluhur sing isih dilaksanaake dening masarakate nganti saiki sarta dadi sawijining sarana kanggo mocapake rasa sokur lan ngalap berkah supaya tansah diwenehi pangayoman dening Gusti Allah.

Tembung Wigati : Folklor, Tradhisi, Jamasan, Wayang Krucil Kyai Bonto

Indonesia's cultural diversity often creates gaps in knowledge among some people due to geographical differences. One of the lesser known traditions is the Jamasan Wayang Krucil Kyai Bonto (TJWKKB) tradition. This tradition is included in the half-oral folklore section in the form of the wayang kurcil heirloom splashing procession which is held every 12 Maulud. TJWKKB is a form of gratitude and asking God for protection. The formulation of the problem in this research is, origin, procedures, ubarampe and meaning, function, changes, and how to preserve it. The theories and concepts chosen and in accordance with the research are Danandjaja's folklore concept, Bascom's concept of function, Koentjaraningrat's concept of change, and A.W Widjaja's concept of how to preserve culture. This research uses a qualitative descriptive research method with data collection through three methods, namely observation, interviews and documentation.

              The results of the research describe two versions of the origins of the TJWKKB and the results of the reconstruction of these versions, describe the TJWKKB's procedures starting from preparation, implementation and post-implementation, describe the ubarampe and the meaning contained in each part, describe changes in the TJWKKB starting from the procedures, ubarampe, tools, and petilasan form. Apart from that, it describes the function of TJWKKB as a projection system, confirmation of cultural provisions, educational facilities, social control, and other functions. There are ways to preserve it so that it is always relevant through the efforts of the community, government and through social media. From the research it can be concluded that TJWKKB is one of the ancestral cultural relics that people still carry out today as a means of expressing gratitude and asking for blessings so that they will always be under God's protection.

Keywords: Folklore, Tradition, Jamasan, Wayang Krucil Kyai Bonto