In 2019 there was a virus that spread throughut the world. Jaranan creativity is carried out to be able to exist during the pandemic by making adjustments to the accompaniment to follow trends and grandma Mayangkoro pressure movement. Based on this statement, i formulate the problem as follows: what iis the existence of virtual performances, creativity, and performance jaranan Mayangkoro art during the covid 19 pandemic? Based on this, this research aims to describe the existence of jaranan Mayangkoro srt located in Kediri city during the covid 19 pandemic. The method approach, with data coollection techniques carried out by observation, inteviews and documentation, data analysis using data reduction, data presentation and drawing conclusions. The results of the research in this study are that jaranan Mayangkoro during the covid 19 pandemic changed the performance which was previously performed live to a virtual performance broadcast via social media such as youtube and gave rise to creativity in movements, accompaniment and performance stages related to the offerings, jaranan and wild booard, as well as roberry climax in the form of trance. the conclusion of this research is about existence which is carried out by creating virtual  performance, throught the creativity of the jaranan and wild boar dance movements, the grandpa Mayangkoro movements, as well as performance rounds. Kewords: Existence, Jaranan art, Pandemic.