The phenomenon in Kasetyan Jati’s work is the loyalty of
goddess grapes to Prabu Ekalaya. The uniqueness of this phenomenon is highly
commendable behavior, humility in guarding his heart, resisting any temptations
he might have with himself to remain faithful. It is of interest to her husband
to ake a presentation of farm by taking on the meaning of an emerging emotion,
it is important to pass along asa message of life, inspiring good behavior in
today’s lives, not, just. To look at one’s physical as well as his possessions,
but to look at the one in his heart. The focus of the work is two variables, a
variables isi which is loyalty and variavles which is a type dramatic.
In writing and
creation of the Kasetyan Jati dance
work, a number are used. Creation of an exsiting work as a relevance to dance
in addition to using. Relebant work, the writer also used the basis for theory
asa race on the dance of Kasetyan Jati.
Kasetyan Jati uses the construction
theory I by Jacquiline Smith, theory choreographed by Y.Sumandiyo Hadi, theory
dramatic by Jacquiline Smith, theory loyalty by St Darmawijaya. The autors used
those theories for the approach of creation.
The creation
approach to the Kasetyan Jati work
involves a method. Constructed I by Jacquiline Smith, after several approaches,
a design of the elements to define the theme and then to define the title are 5
scenes that preceded introductory introduction, scene one, scene two, scene
three, and scene four. Dramatic design using a double cone design. Moderators
presentation mode. Then, with a few other elemental elements such as grammar
and fashion, the stage and the music.
The first analysis
of the Kasetyan Jati story line for
the intriduction to the final scene has led to several climax from small to
large. The grammar of this traditional show approach, the dress used by kemben,
the long cloth as quack and drape. Besides accompaniment made from an software
platform on this farm in backyard of the temple Jawi. And the lighting on this
dance woek uses sunlight during the day and evening.
In the Kasetyan Jati there is a variable of
content from sub themes and variable forms of dramatic design og the atmosphere
on each sub scene. Even with the strain of this pandemic covid 19. The
choreographer hopes to inspire beyond generations of nations to not become a
hindrance to labor.