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Ekranisasi Novel 《悲伤逆流成河》Bēishāng Nìliú Chénghé (Cry Me A Sad River) Karya 郭敬明 Guō Jìngmíng ke Bentuk Film 《悲伤逆流成河》Bēishāng Nìliú Chénghé (Cry Me A Sad River) Karya 落落Luòluò

Kode Dokumen : 0019/FBS-MAND/2023

Penulis Utama : NOVARINA

NIM Penulis Utama: 19020774021

Tahun : 2023

Judul ID :

Judul EN :

Ecranisation of Novel 《悲伤逆流成河》Bēishāng Nìliú Chénghé (Cry Me A Sad River) by 郭敬明Guō Jìngmíng to Film《悲伤逆流成河》Bēishāng Nìliú Chénghé (Cry Me A Sad River) by 落落Luòluò

Sumber : UNESA - Fakultas Bahasa dan Seni - Jurusan S1 Pendidikan Bahasa Mandarin - 19020774021 - 2023

Jenis Dokumen : Skripsi

Abstrak ID :

Ekranisasi adalah pengangkatan novel ke sebuah film. Film hasil ekranisasi novel akan mengalami beberapa perubahan. Penelitian ini bertujuan untuk menganalisis perubahan dalam proses ekranisasi. Rumusan masalah dalam penelitian meliputi: (1) Bagaimana proses ekranisasi alur novel 《悲伤逆流成河》 (Cry Me A Sad River) karya 郭敬明Guō Jìngmíng ke film 《悲伤逆流成河》 (Cry Me A Sad River) karya 落落 Luòluò?, (2) Bagaimana proses ekranisasi penokohan novel 《悲伤逆流成河》 (Cry Me A Sad River) karya 郭敬明Guō Jìngmíng ke film 《悲伤逆流成河》 (Cry Me A Sad River) karya 落落 Luòluò?, dan (3) Bagaimana proses ekranisasi latar novel 《悲伤逆流成河》 (Cry Me A Sad River) karya 郭敬明Guō Jìngmíng ke film 《悲伤逆流成河》 (Cry Me A Sad River) karya 落落 Luòluò?. Fokus penelitian berupa penciutan, penambahan, serta perubahan bervariasi alur, penokohan, dan latar pada ekranisasi novel ke film.

Metode penelitian yang digunakan adalah deskriptif kualitatif. Sumber data penelitian ini adalah novel 《悲伤逆流成河》Bēishāng Nìliú Chénghé (Cry Me A Sad River) karya 郭敬明Guō Jìngmíng dan film 《悲伤逆流成河》Bēishāng Nìliú Chénghé (Cry Me A Sad River) karya 落落Luòluò. Teknik pengumpulan data dilakukan dengan teknik simak-catat dan dokumentasi. Teknik analisis menggunakan teknik analisis deskriptif.

Hasil penelitian ini menunjukkan bahwa dalam ekranisasi alur, penokohan, dan latar dari novel ke film ini terdapat 98 penciutan, 58 penambaham, dan 17 perubahan bervariasi. Perubahan-perubahan pada ekranisasi alur, penokohan, dan latar dilakukan dalam tahap wajar dan masih relevan sehingga tidak menghalangi inti cerita atau amanat novel dalam film. Perubahan terjadi karena novel dan film memiliki keterbatasannya masing-masing. Penciutan terjadi karena perubahan media yang digunakan dalam pembuatan novel dan film. Penambahan dilakukan agar pemvisualisasian dalam film lebih efektif. Perubahan bervariasi dilakukan tidak jauh dari penggambaran yang ada pada novel.

Kata kunci: Ekranisasi, Novel, Film, Cry Me A Sad River.

Abstrak EN :

Ecranisation is an adaptation from novel to film. Film from ecranisation will have some differences from the novel. This study aims to analyze changes in the ecranisation process. The formulation of the research problems are: (1) How is the process of ecranizing the plots of the 《悲伤逆流成河》 (Cry Me A Sad River) novel by 郭敬明Guō Jìngmíng to the《悲伤逆流成河》 (Cry Me A Sad River) film by 落落 Luòluò?; (2) How is the process of ecranizing the characters of the《悲伤逆流成河》 (Cry Me A Sad River) novel by 郭敬明Guō Jìngmíng into the《悲伤逆流成河》 (Cry Me A Sad River) film by 落落 Luòluò?; and (3) How is the process of ecranizing the settings of the《悲伤逆流成河》 (Cry Me A Sad River) novel by 郭敬明Guō Jìngmíng to the《悲伤逆流成河》 (Cry Me A Sad River) film by 落落 Luòluò?. The focus of the research is in the reduction, addition, and variation of change of the plots, characters, and settings in the ecranisation of the novel into film.

The research method used is descriptive qualitative. The data sources for this research are the《悲伤逆流成河》Bēishāng Nìliú Chénghé (Cry Me A Sad River) novel by 郭敬明Guō Jìngmíng and the《悲伤逆流成河》Bēishāng Nìliú Chénghé (Cry Me A Sad River) film by 落落Luòluò. Data collection techniques were carried out using note-taking and documentation techniques. The analysis technique uses descriptive analysis techniques.

The results of this analysis indicate that in plot, character, and setting ecranisation from the novel to the film, there are 98 reductions, 58 additions, and 17 varied changes. Changes to plot, characters, and setting in ecranisation are made in reasonable level and are still relevant so that they do not hinder the core story or the novel's message in the film. Changes occur because novel and film have their own limitations. The reductions happened because of the changes in the media used in making novel and film. Additions were made to make the visualization in the film more effective. Various changes were made not far from the depiction in the novel.

Keywords: Ecranisation, Novel, Film, Cry Me A Sad River.

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