This research aims to describe the Choreography of Panji Remeng Dance performed by Heri Lentho. This dance was inspired by the story of Wayang Gedhog written in the Javanese Literature script by the late AM. Munardi. The theory used in this research uses the theory of Y. Sumandiyo Hadi who explained that creating a new dance work there are 3 stages that must be done by choreographers in creating dance, namely the stages of exploration, improvisation, and formation, In this study using a qualitative research approach. Data collection techniques include observation, interviews, and documentation. The data validation techniques used in this research are data triangulation in the form of source triangulation, time triangulation, and method triangulation. Furthermore, the data that has been obtained, then processed and analyzed by data reduction, data presentation, and drawing conclusions.

The results of this research show that the stages carried out by Heri Lentho in the choreography process of creating the Panji Remeng Dance work include 3 stages, namely exploration, in the exploration stage Heri Lentho conducted research reading Javanese literary manuscripts entitled "Panji Remeng" and determined the dancers who were in accordance with the concept, especially the dancers. The improvisation stage, in this stage Heri Lentho and the dancers develop a variety of movements based on the malangan mask dance. The last stage carried out by Heri Lentho is the formation stage, the stage of transforming the findings of various movements from the stages of exploration and improvisation to determine the form of creation by developing symbols resulting from various experiments that have been carried out by choreographers and dancers.