BENTUK PENYAJIAN DAN GAYA TARI GAMBYONG PANGKUR TAYUB PADA KESENIAN LANGEN TAYUB DI KECAMATAN DONGKO KABUPATEN TRENGGALEK

FORMS OF PRESENTATION AND DANCE STYLE OF GAMBYONG PANGKUR TAYUB IN LANGEN TAYUB ART IN DONGKO DISTRICT, TRENGGALEK REGENCY

Tari Gambyong Pangkur Tayub di Kecamatan Dongko memiliki keunikan yaitu ukel khas bernama ukel menthokan dan kawilan. Tujuan dari penelitian ini mendeskripsikan dan mengkaji bentuk penyajian dan gaya tari Gambyong Pangkur Tayub. Penelitian ini menggunakan metode penelitian kualitatif dengan pendekatan deskriptif. Sumber data  penelitian ini adalah pernyataan dari narasumber seniman Langen Tayub Kecamatan Dongko dan dokumentasi Tari Gambyong Pangkur Tayub dengan teknik pengumpulan data meliputi observasi, wawancara, dan dokumentasi. Analisis data penelitian meliputi reduksi data, penyajian data, dan penarikan kesimpulan. Validitas data menggunakan triangulasi sumber, triangulasi teknik, dan triangulasi waktu. Hasil penelitian dalam penyajian Tari Gambyong Pangkur Tayub ini memiliki gerak sangat simpel karena memiliki empat belas ragam dan dilakukan berulang. Gaya penyajian Tari Gambyong Pangkur Tayub dipengaruhi oleh pola sekaran kendhang kebaran dan kawilan sehingga menghasilkan gerak yang sigrak dan kenes. Tari Gambyong Pangkur Tayub menerapkan Assertive Style dimana waranggana memiliki gaya individual yang berbeda-beda sesuai karakter masing-masing.

Kata Kunci: Bentuk Penyajian, Gaya, Assertive Syle, Tari Gambyong Pangkur Tayub.

The Gambyong Pangkur Tayub dance in Dongko District is unique, namely the ukel menthokan and kawilan. The purpose of this study is to describe and examine the form of presentation and style of the Gambyong Pangkur Tayub dance. This study used a qualitative research method with a descriptive approach. The data sources for this study were statements from the speakers, the artist Langen Tayub, Dongko District and documentation of the Gambyong Pangkur Tayub Dance, using data collection techniques including observation, interviews, and documentation. Analysis of research data includes data reduction, data presentation, and drawing conclusions. Data validity uses source triangulation, technical triangulation, and time triangulation. The results of the research in the presentation of the Gambyong Pangkur Tayub Dance have very simple movements because they have fourteen variations and are repeated. The style of presentation of the Gambyong Pangkur Tayub Dance is influenced by the kendhang kebaran and kawilan sekaran patterns, resulting in a sigrak and kenes movement. The Gambyong Pangkur Tayub dance applies an Assertive Style where the waranggana have different individual styles according to their respective characters.

Keywords: Form of Presentation, Style, Assertive Style, Gambyong Pangkur Tayub Dance.