Budaya Jawa pada Kumpulan Puisi Mantra Orang Jawa Karya Sapardi Djoko Damono (Kajian Hipersemiotika Baudrillard)

Javanese Culture In The Poetry Collection Mantra Orang Jawa By Sapardi Djoko Damono (Baudrillard Hypersemiotics Study)

The purpose of this research is to describe the meaning of hypersemiotic signs contained in the poetry collection Mantra Orang Jawa by Sapardi Djoko Damono. This research uses an objective approach used to study literary phenomena by focusing on Baudrillard's 5 models of hypersemiotic signs in the form of true signs, pseudo signs, false signs, recycled signs, and superlative signs. There are no artificial signs in Mantra Orang Jawa because there is no data containing signs made by the latest creation technology.

The findings of this study are 1) the meaning of the true signs in the poetry collection Mantra Orang Jawa in the form of a supplication to God/supernatural entity that is expressed explicitly, 2) the meaning of the pseudo signs in the poetry collection Mantra Orang Jawa in the form of Javanese philosophy sedulur papat limo pancer, sangkan paraning dumadi, and manunggaling kawula gusti; 3) the meaning of the false signs in the poetry collection Mantra Orang Jawa in the form of the way Javanese people express supplication through mantras (gadhah pikajeng) by saying it as if it had already happened; 4) the meaning of the recycled signs in the poetry collection Mantra Orang Jawa in the form of references to mythological stories and ancient fibers such as Carita Waruga Guru and the story of Brahmana Radhi; and 5) the meaning of the superlative signs in the poetry collection Mantra Orang Jawa in the form of mentioning the “I” character as a figure that exceeds humans (God/Goddess) or can do something that exceeds humans.