ANALISIS RESEPSI PEREMPUAN DI SURABAYA TENTANG KETIDAKSETARAAN GENDER DALAM FILM KIM JI-YOUNG : BORN 1982

RECEPTION ANALYSIS OF WOMAN WHO LIVE IN SURABAYA ABOUT GENDER INEQUALITY IN KIM JI-YOUNG: BORN 1982 MOVIE

Isu ketidaksetaraan gender masih menjadi polemik di berbagai negara termasuk Korea dan Indonesia. Ketidaksetaraan gender muncul bahkan dari lingkup terkecil yaitu keluarga hingga dalam lingkungan masyarakat. Film Kim Ji-young: Born 1982 mengisahkan bagaimana perempuan-perempuan di Korea mendapatkan diskriminasi karena pengaruh tradisi hingga menyebabkan pemeran utama mengidap penyakit mental. Penelitian ini bertujuan untuk mengetahui bagaimana pemaknaan informan terhadap film Kim Ji-young: Born 1982 terkait ketidaksetaraan gender. Penelitian ini merupakan penelitian kualitatif dengan metode penelitian analisis resepsi. Pengumpulan data diperoleh melalui wawancara mendalam kepada tujuh informan yang merupakan perempuan usia produktif dan tinggal di Surabaya. Data hasil wawancara divalidasi menggunakan triangulasi sumber. Hasil penelitian ini menunjukkan sebanyak dua informan berada dalam penerimaan dominan atau hegemoni, lima informan dalam penerimaan negosiasi dan tidak ada informan dalam kategori oposisi. Perbedaan penerimaan disebabkan karena pemahaman, pengalaman, dan pendidikan informan yang berbeda.

Kata kunci: analisis resepsi, gender, film

Gender inequality issue is still being a polemic in many countries including Korea and Indonesia. Gender inequality could emerge even from the smallest scope, for instance, family, until the larger scope, society. Kim Ji-young: Born 1982 is a movie about a woman in Korea that got discrimination because of tradition and made the main character of the movie suffer from mental health. This research was aimed to know how the informants reception from Kim Ji-young: Born 1982 movie about gender inequality. This qualitative study used reception analysis method. The data of this research are obtained by indepth interview with seven informants which are women in productive age and live in Surabaya. The interview results are validated using source triangulation. The results showed that there were two informants are dominant or hegemonic position, while five informants are negotiated reading, and no one is opposition reading. The differences of  reception are caused by comprehension, experiences, and education that informants had.

Key words: reception analysis, gender, film